Most days, the view
from my second story
window is enough—
catalpa leaves flush
against the glass,
with just a dash of
sweetgum, street lamp
tops, blank sky for
light shows, and red
brick in the distance
making up the rest.
I do not need to know
what's happening
down at ground level—
little kids in molded
plastic cars and trucks
pushed from behind
by wearied adults,
joggers and students
lugging backpacks
huffing past, a man in
a business suit or woman
in scrubs, perhaps, and
the dogs—the endless
parades of dogs.
I am content without
any of that—like a
sweet old lady, eager
but hesitant to accept
the prospect of pie
after lunch: any more
than a sliver would
be too much. In fact,
speaking candidly as
a tiny local piece of that
uncountable puzzle,
most days, I'm relieved
to feel responsible
for noticing only a
fraction of the whole.