FIRST EPISTLE TO THE ANTIPODES

Saints are nice 

but trifling

fictions—confections 

dressed in loud marzipan, 

reciting canned 

flights of juvenilia; 

what's truly 

impressive is 

one good man—

that humble antithesis 

of the proud

nude emperor, 

none see him standing 

silent before 

the zealous crowd 

in all his 

invisible regalia. 

INKBLOT

Eyes closed

and dreaming, I 

can almost see 

the catastrophe that's 

trapped inside of me—

desperate to flee 

his prison's ship's 

emergency, and so

pounding his palms 

against the insides 

of my eyelids. 

Get help, he insists; 

don't get distracted 

by dumb hunger;

or at least, get pissed- 

off enough 

at the state of affairs 

to make a wish 

to trade places with 

your less egregious half.

Then I wake 

with a gasp, but it's all

impossible to parse—

pale counterfeits 

at best—like butterflies 

under glass,

or the flickering 

necrotic shadows 

trailing-out grotesque 

behind the tree limbs 

of reality 

in the black- 

and-white kaleidoscope 

of storm clouds and moonlight—

and all I can think is 

am I saying this right? 

 

CHANGE MY MIND

So there's a violent cataclysm—

a pulverizing nothing  

pulsing away

at the galaxy's center.

So there's a shivering, 

unrepentant caterpillar 

chewing a hole 

in your prom night corsage.

What is courage 

but fear acknowledged? 

What's the fire of hell 

but god's love—rejected? 

To be wounded is

to be blessed,

but even that's 

too obvious. 

When pressed,  

to affirm all the beauty 

and the horror 

with a smile—

to be content 

to have a wasted

supernova 

for a soul—now that 

should keep your fact-

checkers busy 

and employed—at least

for a little while.

APOSTROPHE

O, dancing shafts 

of April light;

o, contagious gusts 

of bright blithe wind;

o, silvery ghosts 

of sighing rain; o, oval

of repetition, over 

and again:  

please forgive 

this outdated mode 

of address;

please forget 

the specificity of things.

Use these lexical bits 

of straw and grass 

to feather me a nest; 

weave me a fence 

to pen in my doubt; 

o, do your best

to grow me a heart 

that is jacketed 

in the genius 

of a diamond—that is, 

harder 

than the land 

which surrounds it, yet 

even more 

delicately faceted. 

NO POEM TODAY

O blessed silver-

lake mirror 

of morning—

o tulips, delicate, 

soft, and diffuse,

breathing in 

small beads 

of opalescent water 

and breathing out 

the inchoate language 

of spring—

please put this poet

in his place 

for a change;

put him 

to some better use

than these eager young 

sparrows' peckish 

chirping to distraction, 

as if trying to rustle 

up the perfect 

word for le mot juste. 

COLOR IS THE LANGUAGE OF BIRDS

Such common 

pigeons, the color 

of storm clouds—

but such

iridescent necks,

like pearls of new rain.

You could do worse, 

they seem to claim,

than the world 

at its absolute peak  

of nonplussed. 

Just you take 

a tip from us: 

make a Dadaist plan 

to be less profound. 

Say something blue; 

do something 

round; be 

as you seem. If you can 

speak, why 

wouldn't you? 

TALISMAN

In the freshening air 

of silent twilight—that abyss 

into which all our soiled 

yesterdays blow—

each squirrel 

perched on his pole like 

a sentinel—like the king of all 

the untold animal species;

and each dove, a bust 

of Palace on her throne,

sitting naked and noble 

in her nest of maple branches; 

and me 

at the window, trying 

to let the day go. 

C'est la vie.

Comme ci, comme ça.

Sig transit gloria mundi.

Que sera, sera.

Those are things 

my old proponents 

used to say. But 

to give a thing away, 

that must mean 

I used to own it.