WHAT'S THAT

As above, so below—

what a crock, 

and what a shame.

Precision machine-

beveled right angles jut

as street numbers 

sprout from 

grids like grave 

anatomical ribs;

everything bisectable—

everything 

must heed its label. Only, 

just on the other side 

of that great looking glass:

the sky—

which, 

otherwise,

doesn't need a name.

SHADOW

Not quite 

darkness or light—

neither noise 

nor silence—

how readily you volunteer 

to wade out ahead of me

and strip me of all of my 

nonessentiality; 

it is your murk which clarifies  

the complicated truths 

of this blandness, 

this coolness, this need 

to be aloof. 

Such a circumstantial absence, 

such ambiguous 

truth—it is you 

who comes to teach me, 

without absolutes,

how yet I might live 

in a world that needs ministry 

in fullness—

but still

at the slightest 

remove.

LESS THAN YOU THINK

Any truth which is whole 

could not be yours 

to own—

it's been fermented 

by the grasses, the zephyrs, 

the stones.

For god is not 

in all things—

that's too lonely, 

and it's simpler:

god is the total; 

god is all things. 

Your injuries 

were loaned, as 

actuality is rented.

TWILIGHT OF THE IDOLS

          Is man merely a mistake of God's?

          Or God merely a mistake of man's?

               -Neitzsche

Some causal chains 

are so long, thought 

cannot wind them;

others, as inexorable 

as the final chord in songs.

Quirky and immortal

and mercurial 

as quarks—

as wiseacre cartoon 

rabbits, pigs, and ducks—

the first gods must have sprung 

from the volcanic 

islands of our minds

as general outlines,

suggested by the anxious 

agitation of our motions—

then grew tall

and strong on all

the sugar, fat, and salt 

of our desperate hopes 

and fevered questions, 

til at last they turned 

misshapen 

and strange,

which gradually changed 

into strange-

ly quiet—

then dead-

silent—

then 

dead-wrong. 

THE SHARP END OF THE SPEAR

In the end, every life

is a dull heavy shaft 

which is suddenly honed 

to a breathtaking point; 

and each, the sole bearer's 

precious own to lose, 

the splendid 

and the simple one.

Given time, good and bad 

fade to ignorance—then pity; 

after ignominy, 

after fame, 

there waits the same 

oblivion. 

MATURITY

Less of a ripening 

than a 

tipping point involved:

all that it takes 

is one 

or two more problems 

than commensurate tomorrows 

in which 

they can be solved. 

FINALLY

My name: 

one mighty 

syllable—

wind 

through arborvitae; 

say it 

softly if you will—

if you must,

you won't be 

capable.