Friday, September 6, 2019

TURNING TO POETRY


Year by year, our complexions
seem to worsen.
Every pockmark or pimple
is a jot we should have written,
each new wrinkle,
some metaphor we've failed
to explore—or an image
we'd barely dirtied our minds on
before abandoning for the sake
of a cleaner-cut conversation.

Every line which hasn't been
elongated successfully
is another ligament tightening,
until we begin to feel
whole stanzas still inside us
one by one, shuttering their doors,
cooling down, getting dusty—
the way joints get rusty,
cartilage hardens, and breathing
and bloodflow begin to slow.

What are these statues
we're all turning into? What
grotesque creature (and from
where?) do we slouch toward?
Which crumpled object, cracked
nationalist symbol, club-footed
iamb, or hoarse-whispered word?
Maybe things don't fall apart;
maybe they just harden,
and harden, and conserve—until

all life is
is arches and serifs;
some are just slightly
ahead of the curve:
from Abraham and Sarah,
to Binkie and Herb—
everyone on earth
who has ever existed
sooner or later
is a word.

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