Saturday, March 7, 2015

DAYLIGHT SAVINGS BEGINS

Made plain
only—for that flash
of a second 

separating 
the rollicking downbeat 
at the top of the next measure—and

the last decaying 
crash cymbal—at the 
end of this past one;

the single-
note drone 
of a pale tone wheel organ—which

since at least half-
way through the second-
to-last chorus—has been 

stunningly unobtrusively!
deployed 
by the producer

with the ultimate 
and the thankless 
objective—of gluing 

two unbelievable—
if a little 
disparate—song fragments together.


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